Essays in schenkerian theory and analysis

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Small though its book collection was, I discovered there an astonishing amalysis of information—a panoply of routes for my future development as a musician. A heavy, peculiarly wide, dark blue volume called Counterpoint in Composition intrigued me particularly. Though much that it contained was familiar, in its final chapter it seemed to go berserk: solid and dotted beams connected long spans of notes, some noteheads lacked stems altogether, and Roman numerals appeared with alarming infrequency.

I astutely concluded that Essays in schenkerian theory and analysis had a lot more to scheenkerian, that none of my current mentors could help me, and that bizarre graphs such as these might some day become a focus of my musical life.

essays in schenkerian theory and analysis

The younger co-author of that book was, of course, Carl Schachter. With Felix Salzer in Counterpoint in Compositionand with Edward Schenkreian in Harmony and Voice Leadinghe has endeavored to provide the best possible guidance and insight for the larger community of musicians in the inaugural phase of their theoretical study.

And, in a steady stream of well-crafted essays spanning several decades, he has made cheap essay ghostwriting sites offerings of his knowledge and skill for the community essays in schenkerian theory and analysis scholars and teachers who pursue the Schenkerian perspective.

Strausis directed. And there is a stimulating bonus: the book begins with a wide-ranging dialogue between editor analyiss author.

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Since many of the essays were originally published during the s or s and may be difficult to obtain in their original incarnation, this undertaking is most welcome. Assumptions regarding terminology and notation would make for frustrating reading. Here he is arguing subtly against the essays in schenkerian theory and analysis of some unnamed analysts who reject the notion of fundamental lines descending from scale degree 5. For a few, the starting point of natural talent may be set very high.

Every word that Schachter cv writing as a business is intended to foster that endeavor.

Yet when reading Schachter, Schachter begins to disappear. Even when, as here, Schachter is expanding that perspective in new essays in schenkerian theory and analysis, it is the original theory—and its continuity with eighteenth- and nineteenth-century practice—that shines through.

essays in schenkerian theory and analysis

After all, Schenkerian analysis addresses issues that were never articulated in words or symbols during the period of composition. Schachter hopes to persuade his readers that certain ways of thinking about a piece are more insightful than other ways.

Yet there are limits concerning what can be accomplished.

essays in schenkerian theory and analysis

Unlike Schenker, he has contributed significantly towards a solution.]