Nicolas guillen no se porque piensas tu literary analysis

He is best remembered as the national poet of Cuba. His poetry was published in various magazines from the early s; litsrary first collection, Motivos de son was strongly influenced by his meeting that year with the African-American poet, Langston Hughes. He drew from son music in his poetry.

West Indies, Ltd. After returning to Cuba, he stood as a Communist in the local elections of This caused him to be refused a visa to enter the United States the following year, but he traveled widely during the next decades in South America, China and Europe. Inafter being in Chile, he was refused re-entry to Cuba and spent five nicolas guillen no se porque piensas tu literary analysis in exile. Pienssas returned after the successful Cuban revolution of movie review writers sites usa It was soon acclaimed as a masterpiece and widely imitated.

Guillen also wrote Cantos para soldados y sones para turistas, which reflected his growing political commitment.

Navigation menu

The work was inspired by the living conditions of Afro-Cubans and the popular son music. Nicolas guillen no se porque piensas tu literary analysis work consists of eight short poems using the everyday language of the Afro Cubans.

The collection how to write theisis out in the literary world because it emphasized and established the importance of Afro-Cuban culture as a valid genre in Cuban literature. He specifically chose the son as the mixed artistic creation of the two races that make up the Cuban population; for the son, in form and content, runs the full gamut of every aspect of our national character.

nicolas guillen no se porque piensas tu literary analysis

This quote establishes how the son, such a profound musical genre of that time, initiated the fusion of black and white Cuban culture. The poem has a rhythm that uses the marking of stressed and unstressed syllables in strong and weak beats, rather than simply the number of syllables.

Dellita L. He was a white Cuban from an aristocratic family who loved black Cuba. In FebruaryLangston Hughes traveled to Cuba for the second time, on a two-week mission to find a black composer to collaborate on a folk opera. The Cubans expected a nearly white, tall and heavyset man in his forties with thin lips and an even thinner English-style mustache. Instead they saw a twenty-seven-year-old, slight brown man without a mustache. Hughes was said to be a hit with the soneros.

nicolas guillen no se porque piensas tu literary analysis

Hughes piensqs saw the similarities between 'son' and the blues, as folk music traditions whose form was based on the call-and-response structure of African music. Additionally, he was excited about its possibilities as an organic base for formal poetry. Hughes drew not only rhythmic innovation from these folk music traditions, but used them as a means to express his protest against racial inequality.

nicolas guillen no se porque piensas tu literary analysis

Although the Cuban poet had expressed outrage against racism and economic imperialism, he had not yet done so in language inspired by Afro-Cuban speech, song, and dance. He had been more concerned with protest than with celebrating the power and beauty of Afro Cubans.

Cuba's dictatorial Gerardo Machado regime was overthrown inbut political repression literady the following years intensified. He stood as a Communist in the local elections of The following year he was refused a visa to enter the United States, but he travelled widely during the next two decades nicolas guillen no se porque piensas tu literary analysis South America, China and Europe.]